I.
THE WINSLOW CHAIRThe Red Oak Winslow Chair at Pilgrim Hall is an example
of a jointed chair. Here a joiner would use squared off pieces of wood connected by
mortise and tenon joints to make frames in which thin rectangular panels were set. Joined
chairs were generally more expensive than other chairs as they took more time to build. A
joined chair could take up to 55 hours to make. The most expensive option was a chair
upholstered on the seat, back and arms, as textiles were extremely valuable. The Winslow
Armchair in Pilgrim Hall has been restored to show luxurious red velvet upholstery and
tassels typical of the early to mid 17th century.
2.
BREWSTER CHAIR
The Brewster Chair was made between 1630-1670 of American White Ash and has descended
down through the Brewster Family. Pilgrim Hall has had this chair since the early 1830's
when it was donated by the Brewster Family of Duxbury.
It is believed to have belonged to William Brewster(c1566-1643), who was the spiritual
leader of the colony and one of its most educated members. At the time of his death, Elder
Brewster had one chair worth 4 shillings and another worth one shilling. The Brewster
Chair and the Bradford chair are related to other turned chairs with broad seats found in
Boston and Charlestown. Chairs are seldom signed.
Researchers have to make an educated guess who made them. Researchers examine
documents, including probate inventories, to see who was the woodworker. Then they match
the woodworkers and where they lived to the chairs and where they were found. Researchers
identified a craftsman named John Eddy(1595-1684) who came to Plymouth from Kent in 1630
and soon moved to Watertown, west of Boston. The places Eddy worked correspond to the
location of this group of chairs.
3.
PEREGRINE WHITE CRADLE
According to tradition, Susanna and William White brought this cradle from Holland in
anticipation of the birth of their child. Their son, named Peregrine, meaning
"traveler" or "Pilgrim" was born aboard the Mayflower in Provincetown
Harbor in November 1620. He was the first child born to the Pilgrims in America (Oceanus
Hopkins was born on Board the Mayflower during the Atlantic crossing).
The hooded wicker cradle is typical of those made in Holland. Similar cradles can be
seen in period Dutch paintings. Willow osiers, or shoots, that form the cradle were woven
into a checker pattern. The osiers range in size from 1-1/4" on the sides to
3/4" on the floor. Scholars have found evidence that such cradles were also imported
into Plymouth later in the century.
Whether this cradle came with the White family or was purchased later, it is a symbol
of the Pilgrims' commitment to staying in America and raising their families. It was made
C. 1620 in Holland and descended through the Peregrine White Family.
4.
THE FULLER CRADLE
"The Fuller Cradle is made of Maple and white Pine. It was made in Duxbury between
1680-1720 and descended through the Samuel Fuller Family. The open work at the front of
the cradle made it possible for the mother to see a sleeping baby from almost any
position. The construction of the cradle is interesting. It looks like jointed work.
Actually it is made of solid pine boards with strips of wood nailed on to imitate joined
panels. The cradle may have been made by a carpenter rather than a joiner. The shape of
the turnings on the tops of the rear posts is similar to turnings seen on furniture found
in Duxbury.
5.
THE BREWSTER CHEST
The Brewster Chest is made of Norway Pine and iron. It was probably made in Holland in
the 17th century and descended through the Brewster family. It is believed that Elder
Brewster brought this chest from Holland on the Speedwell and to America on the Mayflower
in 1620. At the time the Pilgrims lived in Holland, pine from Norway was plentiful, as a
result of extensive trade between the two countries.
A chest was the single most important piece of furniture a colonist could bring. It
could be used not only for storage, but also as a table surface, seat or even bed. The
dark reddish-brown paint is probably original. Iron straps reinforce the chest and it has
inside hinges, typical of the era. The six board form dates from the 16th century.